![]() But Augusta quickly decides to remake the nobility in the image of her newest family member, though it’s unclear exactly how they are selected or from what pool of applicants. ![]() According to some historians, the real Queen Charlotte may have African ancestry, which leads here to her future mother-in-law, Princess Augusta (Michelle Fairley), making comments about Charlotte’s complexion clearly inspired by real-life royal drama. As with all previous attempts to explain exactly how racing on “Bridgerton” works, every detail raises as many questions as it answers. Charlotte’s arrival in England brought about what courtiers called “the great experiment”: the sudden and dramatic conferral of titles, lands, and privileges on selected people of color. Their marriage ends up touching on issues of race, sanity, bodily autonomy, and eventually a sense of long-term desire and partnership after middle age, all issues handled with due seriousness without killing the fantasy. The union of a 17-year-old Charlotte (India Amarteifio) and a freshly crowned King George III (Corey Mylchreest) - yes, This King George – occurs in the premiere, opening the door to everything that comes after courtship, both emotional and physical. “Queen Charlotte” ends up with the best of both worlds. In Season 2, “Bridgerton” backtracked a bit, cutting back on the nudity while creating a rich, fiery romance that put its characters first. These elements were so eye-catching that they partly overshadowed the central relationship, a rather pleasant couple of two beautiful people. In Season 1, “Bridgerton” made its mark with explicit athletic sex (no ABC censors here!) and an alternate history of England in which the aristocracy is racially embedded. It still takes “Queen Charlotte” to unleash the full potential of the premise. But in the hands of the master who gave us “Grey’s Anatomy” and “Scandal,” the “Bridgerton” the universe becomes the best version of itself: a sexy love story and escapism with a maturity and substance that only adds to its eroticism. Rhimes previously delegated “Bridgerton” to creator Chris Van Dusen and writer Jess Brownell, who takes the reins on the upcoming Season 3. Instead, it’s a return to form for Rhimes, who serves as showrunner in her most hands-on role since “Inventing Anna,” an underwhelming - albeit hugely popular - take on the Anna Delvey saga. “Queen Charlotte” is not a break with the precedent. There’s even a timeline set right after the final season centered around the eldest stateswomen of the social set: Lady Danbury (Adjoa Andoh), Violet Bridgerton (Ruth Gemmell), and Queen Charlotte herself (Golda Rosheuvel). Although the story goes back some 50 years to portray the titular monarch’s early marriage, it holds the flagship show’s stylistic hallmarks firmly in place, from classic covers of contemporary pop songs to the voice-over of Julie Andrews’ Lady Whistledown. In practice, however, the six-episode series is more like “Bridgerton” Season 2.5. As the subtitle suggests, “Queen Charlotte: A Bridgerton Story” is a prequel and spin-off to the hit Netflix series, which adapts Julia Quinn’s Regency Era romance novels with the soapy, progressive sensibility of producer Shonda Rhimes.
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